NU BAND | The Cosmological Constant | Not Two Records
Dedicated to the Memory of Roy Campbell Jr. Continue reading
All artists filed by last name under D, E and F :
Dedicated to the Memory of Roy Campbell Jr. Continue reading
Recorded at Studio Sequenza, Montreuil – France, on December 9 – 2014 by Thomas Vingtrnier, assistant Thomas Rasoanaivo. Mixed by Peter Orins in January 2015. CD master by Mike Marciano at Systems Two, New York. Cover photo by Julie Merckling. Band photo by Nodoka Ishida. Cover design and layout by Peter Orins. Produced by Circum-Disc and Libra Records. Continue reading
The Satoko Fujii New Trio (Fujii-Nicholson-Itani) released its debut CD, “Spring Storm” in 2013. Since then, we have performed throughout Japan, Europe and North America. Sometimes Natsuki Tamura joined the trio as a guest artist. He brought energy and humor, so the band had more color. So I decided to change the band name from “New Trio” to “Tobira.” “Tobira” means door in Japanese. I wanted to open the door to bring some fresh air to the music and keep it from becoming closed. I wrote the music on paper and this band made it sound so alive. They know which spices to use. I am so lucky to always can get such great collaborators. I really like our music which is full of energy and hope you also enjoy it. — Satoko Fujii Continue reading
Orchestra Berlin In January 2014, we had an unusually warm winter in Berlin. The exception was the three days that we had the concert and recording for this project. We could see the diamond dust that night and it showed how cold it was. Fujii, who’s been living in Berlin since 2011, started the orchestra project there after founding orchestras in four other cities: New York, Tokyo, Nagoya and Kobe. Fujii had written “Ichigo Ichie” to perform at the Chicago Jazz Festival and wanted to record it in Berlin with the musicians she’d met there. — Natsuki Tamura Continue reading
Aldo Clementi has been a central figure for the evolution of European New Music since the Fifties. A student of Alfredo Sangiorgi and Goffredo Petrassi, he began to build his own identity as a composer starting from post-Webem serialism coordinates, by elaborating the influence of both attending Darmstadt and acquiring technical skills thanks to the relationship with Bruno Madema. Deeply influenced by contemporary painting (especially by the “informal” art of Fautrier, Tapies, Tobey and Burri, but also by Perilli’s and Dorazio’s works), and by the relationship with John Cage (with whom he shared the passion for chess), Clementi has achieved, since the early Sixties, his own aesthetic, gradually shifting from the structuralist categories to a personal dimension and style. Since the Informel cycle, Clementi’s works feature complex and rigorous contrapuntal textures, resulting from graphic processes and designed to dissolve internal dialectics by saturating the sonic space. Continue reading
The way Dario Palermo deals with formal structures and different expressive grounds, complexity and a peculiar taste for a refined primitive touch is really remarkable. All three compositions here have been conceived as a multi-perspective field of artistic investigation: Dario Palermo RO-Premiére danse de la Lune, featuring a superb interpretation by percussionist Milo Tamez, is an astounding journey through the hybridization process of single percussive voices with electroacoustic treatments, emphasized frequencies, polyrhythmic mazes, generating a sonic organism in which ancestral and future sounds dance a beautiful interaction. Performed by the world-wide prized Arditti String Quartet and by brilliant mezzo-soprano Catherine Carter, the composition Difference Engine delivers a single movement in which several areas fluidly melt in a complex process of metamorphosis. Tasty subtleness, extremely accurate attention to detail, together with a skilled overall compositional vision, build up a macro-object that clearly reveal Palermo’s attitude to complexity and generative compositional method. A great piece. In TRANCE, biological and physical vocal characteristics, and pure singing vocal aspects, are subject-objects (material) of the work, paired in a constant fluctuant correspondence, which structure the shape and form of the work . The central role is played here by vocalist Jean-Michel Van Schouwburg whose journey in phonemes, polysyllables and physical vocal flexibilities find a perfect partner in real time electronic treatment. Continue reading
EVEN IF IN MY GAMES I HAVE SOMETIMES WON AND SOMETIMES LOST IN THE END I THREW EVERYTHING INTO THE BLACK WATER. I HAVE BEEN WIPED AWAY, I’VE DISSAPEARED, NOTHING IS LEFT OF ME. I WAS ONLY A SHADOW, NOT THE SMALLEST PARTICLE OF DUST REMAINED OF ME. I WAS A DROPLET, LOST IN THE OCEAN OF MYSTERY, AND NOW I CAN NO LONGER EVEN FIND THIS DROPLET. — Farideddin Attar Neyshapun Continue reading
mudoks records Hubert Bergmann, piano | Lajos Dudas, clarinet | Elmar Guantes, bass Recorded: mudoks studio Überlingen Germany, 2012-12-16 & 2013-04-10 | artwork/photos: Birgit Nagengast : ℗ & © mudoks … Continue reading
A workshop for improvised and new music -I read – right here in our charming, dreamy resort town on Lake Constance, in my neighborhood? And I know nothing about it? I needed to take a closer look at this. A few days later I am cordially received by Hubert Bergmann, pianist and initiator of the workshop, who suggested the idea of maybe playing together. My period of “free – improvisation” lay in the 1980’s, with the CL4 Clarinet Quartet and the Turk-Bulgarian vocalist Yildiz Ibrahimova. Hubert had recently produced with the guitarist, Mary Halvorson, a free – improvised session. Our musical directions, developmentally, were in opposition, the jazz clarinetist and the pianist, basically in the field of contemporary music.” Would this work? We improvised spontaneous and extensively without particular attention to tempo, theme or scale, having only occasionally paused to discuss an interval, a scale fragment or the character of an atmosphere. The results were surprising to us; we knew immediately that the recording should be made public. You’re holding the disc in your hand, please enjoy! — Lajos Dudas Continue reading
mudoks nr. 011-1168 Phil Nylund – piano | Alexander Bergmann – alt sax, bass clarinet | Julian Seyfried – cello | Joe Eschrich – drums Recording date: 2. – 5. … Continue reading