Big Hammer No. 15 | Iniquity Press

REMEMBERANCES

I don’t remember the reason we sat in front of Rite Aid that night. Someone needed a prescription filled. I do remember my mom banging her paims on the steering wheel, Asking, “Why did you ever become a writer?” “I don’t know mom. it was you and dad that bought me a desk for Christmas.” “That’s because your 6th grade teacher told us you had potential to be a professional writer. Not poetry, music and that other stuff.” She was visibly angry at the situation which brought us together. We were picking up pills for her husband Bob I now remember. It was the eve of his disappearance. Entering one hospital after another. Finally – allowed to rest – we surrounded Bob with the Lord’s Prayer. Such remembrance strangely triggered by a Leonard Cohen self-portrait – A drawing of his face – left lobe opened – in which he scrawled:

I never found the girl
I never got rich
Follow me

John Lunar Richey Continue reading

Jen Dunford | Shadow Of Book | Iniquity Press

I came to know Jen Dunford in 1996 while she was a freshman in high shool. At the time I was acting as the poetry editor of the now defunct 24/7 Art Zine. Jen had submitted some poems for consideration. I had never received a submission from anyone that young, and was hesitant at first to include her in a publication not meant for the living room coffee table. I worried what her parents would think. I gave in after deciding that if someone that young took the time to pick up the zine (distributed for free around town), read it and submit work of their own, then that someone wasn’t going to leave it hanging around for their parents to read in the first place. Plus, she stated in her cover letter that she was a fan of William Burroughs. That alone provided me with the final stamp of approval. — Dave Church Continue reading

Daniel Blacksberg Trio | Perilous Architecture | No Business Records

In the Dan Blacksberg Trio, the innovative and genre-defying trombonist brings an expansive and creative new vision to the cutting-edge jazz traditions of pioneers like Ornette Coleman, Don Cherry, and Albert Ayler. Blacksberg has penned a set of music that pushes at the technical and timbral limits of his instrument, opening up into far-reaching sounds worlds while maintaining a melodic rootsiness. Backed up by the powerful rhythm of Matt Engle (Shot X Shot) on bass, and Mike Szekely (Anthony Braxton Quartet) on drums, the Trio creates a driving mixture of noise, chromatic lyricism, and everything in between… Continue reading

Misha Mengelberg | Dirk Bell | Ryan Carniaux | Gerd Dudek | Joscha Oetz | Nils Tegen | Nunc! | Nemu Records

I once asked Misha how many steps to his front door and he said: “eleven” —sheer fantasy. I’m here to pick him up for a concert at the Loft in Cologne. We have a cup of coffee toebroek: a personal ritual of his that he performs for his visitors. And off we go to Cologne, to meet the rest of the band at my place — dinnertime. Ryan Carniaux, from New York, professor for jazz trumpet in Essen. We’re both members of gRoBA, an orches-tra in Cologne. Gerd Dudek, a German jazz-legend, knows Misha for decades. Nils Tegen, a composer and piano player in his other life. Joscha Oetz, back from Lima — when he’s playing the bass, you feel at home. These musicians have been working together for years in numerous combinations all over the world. And we’re all fans of Misha Mengelberg.– Dirk Bell Continue reading