Vinny Golia | Marco Eneidi | Lisa Mezzacappa | Vijay Anderson | Hell-Bent in the Pacific | No Business Records

Vinny Golia has made some unusual choices. In 1973, he moved from New York to Los Angeles, away from the centre of the jazz universe to the more cooperative Left Coast scene. He established his musician-run New Winds label in the 1980s, the start of tough times for the record biz. He also bucked conventional wisdom to concentrate on just one or two instruments, devising a rotating practice schedule to master the full families of saxophones, flutes and clarinets, as well as shakuhachi, bassoon, and so many other winds that his Penguin Guide to Jazz list ends with “etc.” —Lawrence Joseph Continue reading

Carlos Zingaro | Jean Luc Cappozzo | Jerome Bourdellon | Nicolas Lelievre | Live At Total Meeting | No Business Records

The cover to Live At Total Meeting depicts a maze and that’s a good metaphor for free improvised music. No-one knows where they are going or how they will get there. Even whether they have arrived or not is open to dispute. How the participants achieve resolution (of a sort)—negotiated, as it often is, without verbalization—is part of the enduring fascination of such sessions. For sure, the risks are less when veteran improvisers like the Portuguese violinist Carlos Alves “Zingaro” and French trumpeter Jean Luc Cappozzo are onboard, alongside fellow Frenchmen reedman Jerome Bourdellon and drummer Nicolas Lelievre. Between them, they have performed with all the major European and American innovators. — John Sharpe Continue reading

Mikolaj Trzaska | Olie Brice | Mark Sanders | Riverloam Trio | No Business Records

The Riverloam Trio are Mikolaj Trzaska (alto sax, bass clarinet), Olie Brice (double bass) and Mark Sanders (drums). This trio has been working together for a couple of years, touring Europe and performing at festivals including Kerava Jazz and Jazz Od Nowa. They have an LP due out in November on NoBusiness Records. For this concert they’ll be joined by special guest Paul Dunmall who’ll play a solo set on pipes before joining the trio on tenor sax. Continue reading

Bobby Bradford | Frode Gjerstad | Ingebrigt Håker Flaten | Paal Nilssen-Love | Kampen | No Business Records

Sometimes there are weird coincidences. When we got new albums on our review list recently, many of them included reminiscences of the golden jazz eras in the 1950s, 60s and 70s. Rob Mazurek’s Pulsar Quartet sometimes sounds like the seminal Miles Davis Quintet, Sam Rivers’ trio with Dave Holland and Barry Altschul brings back memories of his RivBea studio days, Michael Blake taps the great jazz-rock bands of the 70s, Joe McPhee’s plays “Naima” and “Round Midnight” on two new reissues, and even Wadada Leo Smith and Louis Moholo-Moholo salute the great Ancestors. Finally, west-coast-legend Bobby Bradford’s new album reminds one of the landmark Ornette Coleman Quartet with Don Cherry, Scott LaFaro and Ed Blackwell. — Martin Schray Continue reading

Satoko Fujii Orchestra New York | Summer Suite | Libra Records

I love Satoko’s strong charts and engaging harmonies for all of the reeds and brass with inspired solos from the tenor sax and trombone, but it is the strong ensemble sections that really stand out… Her great New York Orchestra has not played in New York for quite a while, we can only hope they have an opportunity to do so in the not too distant future. In the meantime, you can get this treasure and their many layers of talent. — Bruce Lee Gallanter, Downtown Music Gallery Continue reading

Satoko Fujii Orchestra New York | Eto | Libra Records

My husband, Natsuki Tamura will turn sixty years old this year. In Japan we have a special celebration for sixty years olds, called “Kanreki.” We use the Chinese zodiac in Japan which is called “Eto,” so 12 years is one cycle. 60 is a special number because it is 12 x 5 and 10 x 6. The duodecimal system and decimal system meet at 60. I wanted write some music for this, and read a bit about the Chinese zodiac. Each of the 12 animals in the zodiac has its own character and each character inspired me a lot, so I wrote a short piece for each of them to make one long suite. Each piece has featured solo player. — Satoko Fujii Continue reading

Satoko Fujii Trio | Trace A River | Libra Records

I don’t know how Satoko Fujii does it, but she has created yet another indispensable recording. Her singularly energetic and inventive music is a wonder to behold. Trace A River is truly one of 2008’s best jazz recordings, and belongs in the collection of all jazz fans who have a serious interest in the future of jazz piano, post-Cecil Taylor. — Dave Wayne Continue reading

Satoko Fujii Trio | Illusion Suite | Libra Records

Pianist Satoko Fujii leads with a powerful forces that captivates. Accessible for traditional bebop as well as avant garde listeners, her music stirs the imagination . . . A highly energetic pianist, a rollicking acoustic bassist, and a versatile drummer join forces on Illusion Suite to combine jazz’s tradition with leading-edge ideas. ― Jim Santella, All About Jazz Continue reading