Scott Amendola | Ben Goldberg | Devin Hoff | Plays Monk | Long Song Records

Does the world really another trio interpretation of Thelonious Monk’s music? Well, take one look at the personnel involved here, and you’ll Know this isn’t simply another stab at revivalist orthodoxy. Bassist Devin Hoff, drummer Scott Amendola, and clarinetist Ben Goldberg have worked together and separately in many of the Bay Area’s most interesting groups (Hoff and Amendola are two thirds of the Nels Cline Singers; Goldberg is the newest member in the Tin Hat ensemble) and each is a strong band leader in his own right. They’ve also participated in two of the more intriguing recent homages to jazz masters. All three were members of New Monastery, Nels Cline’s recent homage to Andrew Hill; and Hoff was the bassist on The Door, the Hat, the Chair, the Fact, Goldberg’s tribute to Steve Lacy. — Signal to Noise Continue reading

The Rob Brown Trio | Live at Firehouse 12 | Not Two Records

Alto saxophonist and composer Rob Brown moved the New York City in the mid 1980’s and slowly began developing an impressive reputation in progressive jazz circles, playing with the likes of Cecil Taylor, Butch Morris and a long stretch in William Parker’s extraordinary quartet. Brown’s music is a very nice modernizing of the progressive alto saxophone tradition of Ornette Coleman, Eric Dolphy and Jackie McLean, building a deep, original and thoroughly modern view of jazz. On this album (I guess it’s recorded live, but I don’t hear any applause) he is joined by Daniel Levin on cello, Satoshi Takeishi on drums and percussion. Brown’s pinched and citrus saxophone tone and Levin’s sawing cello make for an alluring sound. “Quick Be Nimble” is a medium tempo opener, getting a wide open Ornette-ish feel with the musicians probing and exploring. “Walkabout” has a plucked cello opening around slow percussion with metallic gongs and when the alto enters, it makes for an interesting and mysterious sound. — tim, jazzandblues blogspot Continue reading

The David Arner Trio | Out / In the Open | Not Two Records

David Arner – pianist, composer, harpsichordist, percussionist – David Arner is a long time proponent of innovative music and spontaneous composition. His wide interests have encompassed the avant-garde, birding, mythology, astrology, modern dance and silent film within his musical pursuits. While well known for his solo piano work, over the years Arner has also worked with Michael Bisio, Jennifer Choi, Connie Crothers, Dominic Duval, Lisle Ellis, Avram Fefer, Joe Giardullo, Lou Grassi, Francois Grillot, Rosi Hertlein, Susie Ibarra, Adam Lane, Joe McPhee, Tatsuya Nakatani, Pauline Oliveros, Jay Rosen, the Sirius Quartet, David Taylor, Tomas Ulrich, Sarah Weaver. Continue reading

The Michael Bisio Quartet | Live at Vision Fest. XII | Not Two Records

For years, free improvisers have explored the tactile aspect of performance, in which the nature of the encounter between the player and the instrument becomes the subject of the music itself. Bisio is one of the few musicians that has managed to meld this high-concept sense of physicality with the soulful charge of jazz. His fiddle-high, scraped overtones create a tangled choir that is impossible to resist; his expressiveness with the bow is unmatched. Having whirled the listener into a transportive state, he gently shows the way out… Paul DeBarros, Signal to Noise Continue reading

Michael Marcus | Lotus Symphony | Not Two Records

Lotus Symphony – a serene pool where a forest of sound can exist, because the artists have committed to coming together, symphonically, in the rhythms of light where the tradition of American Improvised Music has no bounderies, celebrated and thus the special bloom occurs. Special thanks: to all the musicians who contributed their artistry in making this recording come to life. Eric Enjem and to Marek Winiarski at NotTwo Records. — Michael Marcus, August 2008 Continue reading

Simone Massaron feat. Carla Bozulich | Dandelions On Fire | Long Song Records

I couldn’t help but feel that the material presented by Massaron’s Dandelions on Fire would be at home on any of the Tom Waits’ albums from the past decade. I couldn’t find any direct correlation from Massaron to Waits through background digging, and that’s what makes this album even better. It bears the almost unmistakable variances of an extremely seasoned veteran, yet makes no apologies when it comes to claiming its individuality. This is one uniquely diverse collection that’s sure to satiate any fan of Mr. Waits or Nels Cline, but would likely also be in frequent rotation of any dedicated Carla Bozulich fan. — songfrontiers Continue reading

The Foot Job Band | Porno Jazz | Long Song Records

The subject of today’s lesson is…….. Porno Jazz!!!!!!!!! These are the first words spoken from our esteemed professor Whiskey San Martino announcing the topic of the day’s lecture, and what a subject it it! Its roots lie in the world’s oldest profession as well as the day to day thoughts and fantasies of most of us. O.K. let’s get just say it and get it out of the way. We all know what the course work is and believe me, everyone of us all wants to pass with flying colors. SEX baby and I want a PHD! Continue reading