W – X – Y – Z

All artists filed by last name under W, X, Y and Z :

Bruce Eisenbeil Sextet | Inner Constellation Volume One | Nemu Records

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Don’t let the corrosive guitar that begins Bruce Eisenbeil’s extended “Inner Constellation” fool you into thinking you’re about to hear a psychedelic rave-up or some proto-fusion. Once bass and drums join in, followed by violin and horns, it’s apparent “Inner Constellation” (a 45-minute work recorded in one long take, meant to be listened to straight through from beginning to end, notwithstanding 27 individual track numbers and the enigmatic inner titles) is an example of what’s still sometimes called “free jazz” or “creative improvised music,” terms that ceased being meaningful as long ago as the 1970s, when composition asserted itself as a force to be reckoned with in the jazz avant-garde. There are numerous passages here that sound collectively improvised, and as many others that sound preplanned. Happily, because Eisenbeil’s writing is so open-ended and the members of his sextet give themselves over to it so completely, you’re never quite sure where composition ends and improvisation begins, or when the two overlap— a measure of Eisenbeil’s success. — Francis Davis Continue reading →

Christian Skår Winther | Magnus Skavhaug Nergaard | Joakim Heibø Johansen | Mats Gustafsson | Ich Bin Nintendo & Mats Gustafsson | Va Fongool Records

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The three wildlings in ICH BIN N!NTENDO trooped up with The Thing’s critically acclaimed saxophone player, Mats Gustafsson, on their debute album released in october, 2012. Recording it during a live gig in Oslo, they managed to fully absorb the ultimate scolding energy of trembling musicians the album deserved and would not get from any studio. To fulfill the noise-soundscape to this record, Lasse Marhaug mixed and mastered it to perfection. ICH BIN N!NTENDO is a purely improvised trio and can be compared to bands like The Ex and the more experimental releases from ZU. Though, in the company with Mats Gustafsson, the closest comparison would be, if anything, the Original Silence recordings. Continue reading →

Roscoe Mitchell | Nicole Mitchell | Black Earth Ensemble| Three Compositions | Live at Sant’Anna Arresi | RogueArt Jazz

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Despite the compositions’ respective demands Nicole Mitchell and Black Earth Ensemble fully and vividly represented Roscoe Mitchell’s varied means of creating chemistry between written and improvised materials. At every turn in the program, they played with a palpable sense of familiarity and ease with the composer’s vernacular and methods. They sounded like they’ve been playing this music every night for a long time. — Bill Shoemaker, excerpt from the liner notes Continue reading →

Didier Petit | Alexandre Pierrepont | Passages – A Road Record – Woodstock – New York – Chicago – Los Angeles | RougeArt Jazz

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Lawrence Butch Morris developed the concept of “conduction” to account for a mode of Instant Composition based on the creative freedom of the players stimulated by the gestures of a central conductor. AP/DP, with this cd, invent the practice of musical transduction. Just like the French language is not “translated” but transducted into Kamau Daáood’s unique prosody, DP’s cello does not “translate” the playing of a thumb piano, an oud or a kora: all of these instruments, all of their phrasings electrify his playing from the inside, they are transducted into the cello. Similarly, DP’s vocal cords do not “translate” what his fingers perform on the strings: both are electrified by a common current, alternating and direct. The astonishing fluidity of this complex meshwork of influences qualifies AP/DP as “Super-transductors”: through this cd, one hears not only a whole family of giant cello players (Abdul Wadud, Robert Een, Tom Cora, Ernst Reijseger, Peggy Lee, Hank Roberts), but also a long history of lyrical surrealism (from Lautréamont to Henri Michaux), and the widest range of traditions in ethnomusicology (from Africa to the Middle East, through classical Europe and Amerindian singing)… …Be prepared to be transducted, transformed and elated. — Yves Citton, excerpt from the liner notes Continue reading →

Sudo Quartet | Joelle Leandre | Carlos Zingaro | Sebi Tramontana | Paul Lovens | Live at Banlieue Bleue | No Business Records

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The pan-European Sudo Quartet is comprised of four true heroes of free improvisation: French double bassist Joëlle Léandre; Portugese violinist Carlos Zingaro; Italian trombonist Sebi Tramontana; and German drummer Paul Lovens. All have played together in various formats for more than two decades, playing contemporary music, free jazz and spontaneous, on-the-spot improvisations, expanding the spectrum of the musical language of their instruments through innovative techniques. All are gifted with compelling performance personalities. — Eyal Hareuveni Continue reading →

Yehudit | Valentine | Edgetone Records

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This album is a valentine… Each of these classic songs is a valentine – a celebration of the joy and gift of love. I imagine that you might play them while you sit down to a quiet dinner with your sweetie, with flowers and candlelight. In recording these songs, I manifest my profound love for the great American traditions of jazz and songwriting, I am always astonished and delighted to be a small tributary to this great river of music. The album itself is a labor of love on the part of the musicians, engineers, and artists who contributed their skill, creativity, and heart to make it what it is. And finally, this album is a valentine from me to you, the listener. May your life be filled with love and music. Continue reading →

Yehudit | YL 101 | Edgetone Records

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Violinist Yehudit (pronounced “yeah who DEET”) is making a place for herself in the forefront of the jazz mainstream, demonstrating that the electric violin, in her hands, is a convincing and innovative jazz instrument. A classically trained player with a solid grounding in the jazz idiom, her extensive professional experience encompasses ensembles as diverse as the San Francisco Ballet Orchestra and the jazz/blues band John Handy with Class. Performing on electric and acoustic five-string violins, she produces a varied sonic palette, ranging from boppish licks and wails to warm, singing melody. Her music is firmly rooted in straight-ahead jazz, spiced with blues, free improvisation, and a dash of funk. Continue reading →

Positive Knowledge | Oluyemi Thomas | Wilber Morris | Ijeoma Thomas | Michael Wimberly | Live in New York | Edgetone Records

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Oluyemi & Ijeoma Thomas of Positive Knowledge has recorded & performed together for the past two decades, composing and sharing their joyful Creative World Music Systems with lovers of music and poetry around the world. Ijeoma Thomas – Wordsmith, spoken word artist, poet vocalist and teacher believes “all art is a gift of the Holy Spirit.” Composer, teacher & multi-reed musician (bass clarinet, saxophones) Oluyemi Thomas brings elements of life and work to the flow & he believes: “The musician’s art is among those arts worthy of the highest praise…” As a great enhancement to their compositional approaches, Positive Knowledge continues to perform throughout the United States, Africa, Asia, Europe, South America, Israel, Canada, and the Caribbean Islands which has resulted in a rich multifaceted vocabulary to date. They have recorded or performed with such artists as Cecil Taylor, Wadada Leo Smith, Roscoe Mitchell, Alan Silva, Peter Kowald, Henry Kaiser,William Parker, Miya Masaoka & Gino Robair, “Kidd” Edward Jordan. Continue reading →