G – H – I

All artists filed by last name under G, H and I :

Marc D. Goldfinger | Tales of the Troll | Junkies, Angels & Demons | E-Book

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I always hate to write my own introductions. Maybe someday I will budget my time correctly so I might ask someone else to do it for me. That day has not yet come. I came across a laptop computer in the ruins of an old farmhouse in Lake Ninevah, Vermont. When I booted it up, these stories opened up. It seemed as if some junkie was spinning tall tales but I thought you might like to have a look at one alternative reality, so I put them into print. These stories were all told, during one time period or another, at a dope house which everyone thinks is in New York City. It is really in Cynosure. You can look up that word in the dictionary and it will give you an idea as to the nature of the area where the heroin house is located. Being violently opposed to long introductions, especially when I am the one writing them, I shall bring this one to a close. Let me just say that I believe that these stories are true. Why do I accept, as truth, words that appear to be written by a dope fiend? It is because I, with my mind’s own eye, have seen the face of Ar Lain Ta. I also believe in Demons and Angels. — Marc D. Goldfinger, July 21, 2015. Continue reading →

The Convergence Quartet | Owl Jacket | No Business Records

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The Convergence Quartet Taylor Ho Bynum (cornet), Harris Eisenstadt (drums), Alexander Hawkins (piano), and Dominic Lash (double bass) brings together four leaders of a generation of composer improvisers who draw on a deep range of influences and traditions in their music. All established bandleaders in their own right, the band’s credits also include work, both live and on record, with many seminal names in contemporary jazz: Anthony Braxton, John Butcher, Joe McPhee, Louis Moholo Moholo, Evan Parker, Mulatu Astatke, Sam Rivers, and Cecil Taylor, to name only a few. Through many hours on the road and in rehearsal, the group have forged their many and varied musical experiences into a uniquely innovative and coherent language, offering as a result a ‘powerful example of 21st-century musical catholicity’ (John Fordham, The Guardian) and ‘moments of magical innovation’ (Paul Medley, The Oxford Times). Continue reading →

Hubert Bergmann | GALZAR II | Mudoks Record

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GA(L)ZA(R) II (eine hommage an Vertriebene)

„Pffffff…
in D
im Jahre 4
nach G“

Dem in Pfullendorf wirkenden international bekannten Performancekünstler Rolls Rolf Langhans alias RRL, wurde durch die Standortverwaltung des Kommando Spezialkräfte ein „virtueller GAZA Streifen“ um sein Gesamtkunstwerk deponiert. Er soll nämlich aus seinem 350 qm WerkAtelier und Lebens Raum vertrieben werden. Continue reading →

Satoko Fujii Tobira | Yamiyo Ni Karasu | Libra Records

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The Satoko Fujii New Trio (Fujii-Nicholson-Itani) released its debut CD, “Spring Storm” in 2013. Since then, we have performed throughout Japan, Europe and North America. Sometimes Natsuki Tamura joined the trio as a guest artist. He brought energy and humor, so the band had more color. So I decided to change the band name from “New Trio” to “Tobira.” “Tobira” means door in Japanese. I wanted to open the door to bring some fresh air to the music and keep it from becoming closed. I wrote the music on paper and this band made it sound so alive. They know which spices to use. I am so lucky to always can get such great collaborators. I really like our music which is full of energy and hope you also enjoy it. — Satoko Fujii Continue reading →

Satoko Fujii Orchestra Berlin | Ichigo Ichie | Libra Records

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Orchestra Berlin In January 2014, we had an unusually warm winter in Berlin. The exception was the three days that we had the concert and recording for this project. We could see the diamond dust that night and it showed how cold it was. Fujii, who’s been living in Berlin since 2011, started the orchestra project there after founding orchestras in four other cities: New York, Tokyo, Nagoya and Kobe. Fujii had written “Ichigo Ichie” to perform at the Chicago Jazz Festival and wanted to record it in Berlin with the musicians she’d met there. — Natsuki Tamura Continue reading →