Todd Moore and Lawrence Welsh Read at Acequia Booksellers | Vox Audio

This reading took place on July 12, 2009 at Acequia Booksellers, 4019 Fourth St. NW, Albuquerque, NM. Todd Moore is the author of over a hundred poetry books and chapbooks. His central concern for the last 35 years has been with the Dillinger legend. Lawrence Welsh’s two most recent books are Walking Backwards to Santa Fe (Pitchfork Press 2007) and Skull Highway (La Alameda Press 2008). Edited by Bruce Holsapple. Copyright 2009 Todd Moore, Lawrence Welsh and Vox Audio, PO Box 594 Magdalena NM 87825 Continue reading

Francine Witte | The Wind Twirls Everything

This is one of those small press books probably desktop-published, with two staples holding about 47 pages together, cover/cover art incredibly simple yet effective, the pages sticking out, poorly cut…something you might pass up in a bookstore where a handful of copies were probably left by the author on consignment. If you look inside, you’ll find an impressive list of acknowledgements in literary journals and online publications. Always a good sign: serious writer-at-work here. Especially the asterisk noting: “nominated for a Pushcart Prize.” (I’m still old-fashioned enough in the literary game to know that this stuff matters—or should, in a day, a time of ‘anybodycanwriteanythingandpublish it (print-by-demand) andbeawriter. Maybe. — Norbert Blei Continue reading

Jessica Jones Quartet | Word | NA 1045

Her Jessica Jones Quartet has been featured in the What Is Jazz? Festival at New York’s Knitting Factory and also at the Eddie Moore Jazz Festival at Yoshi’s in Oakland, in addition to performing at many Bay Area and East coast clubs, colleges and radio stations. Jessica also performs in a duet setting with her husband Tony. Word is her fourth recording as a leader and follows 2005’s Nod (New Artists Records), 2002’s Shakeup (independent release) and 1997’s Family (Nine Winds). She also performed as part of Joseph Jarman’s Lifetime Visions Orchestra on 2006’s Lifetime Visions for the Magnificent Humans. Continue reading

d’bi.young.anitafrika | rivers…& Other Blackness…Between Us: (Dub) Poems of Love | Gazelle Books

d’bi is a passionate word-warrior with originality and ingenuity to match her creative courage. In this collection, she gushes freely, blending contemporary currents with ancestral resonance to create a daring collection that demands attention. As it bends boundaries and defies definitions, d’bi’s poetry courses along its own path. Surging and swirling, sometimes overflowing the banks, her lines are both delightful and disturbing. On the outside you see a book covered and bound, but on each page there’s raw power and boundless revelation.” — Blakka Ellis Continue reading

Sharon Niederman & Miriam Sagan | New Mexico Poetry Renaissance | Gazelle Books

This anthology incorporates biographies and work by forty-one of New Mexico’s finest poets representing diverse cultural backgrounds. Foreword by Robert Creeley; Introduction; Lucile Adler; Jimmy Santiago Baca; Mei-Mei Berssenbrugge; John Brandi; Alvaro Cardona-Hine; Ana Castillo; Denise Chavez; Judson Crews; Victor Di Suvero; Martin Edmunds; Gene Frumkin 6; Greg Glazner; Larry Goodell; Renee Gregorio; Joy Harjo; Gerald Hausman; Judyth Hill; Elizabeth Searle Lamb; Donald Levering; Harold Littlebird; Joan Logghe; Anne MacNaughton; E A Mares; Demetria Martinez; Mary McGinnis; Carol Moldaw; Linda Monacelli-Johnson; Nora Naranjo-Morse; Simon J Ortiz; V B Price; Leroy Quintana; Margaret Randall; Leo Romero; Mariam Sagan; Jim Sagel; Rebecca Seiferle; Joseph Somoza; Arthur Sze; Anne Valley-Fox; Keith Wilson; Roger Zelazny. Continue reading

A. D. Winans | The Other Side of Broadway | Gazelle Books

A. D. Winans has been around the blocks of San Francisco streets for over a generation as a witness to the changes that mark a society of consumerism gone amok with wars and the many desolations resulting from the contradictions, hypocrisies and downright injustices of a society living at the height of both compassion and decadence. There is a celebration in these poems of the figures of San Francisco streets, the ‘characters’ that have been sacrificed to the system and yet have resisted final destructions. And at the centre of all the highs and lows of Winans’ discordant narrative and, at times lyric moments composed of biting images of his wanderings, geographically or physically, are his genuine praise-songs to the fellow street-poets who have helped to shape his own gritty style. 71 poems selected by the author, at the age of 70. His poems are heartfelt expressions of a wise observer, powerfully honest and uncompromised by literary fashion. Continue reading

Inside the Outside | An Anthology of Avant-Garde American Poets | Gazelle Books

This volume brings together 13 major poets of the American small press scene, each representing an important branch of the avant-garde as it has developed over the past forty years. Each of the poets is presented in a large selection, in most cases chosen by the poets themselves. They range in age from 41 to 81, their poetics range from visual/conceptual poetry to surrealism, from personal/observation poetry to cut-up & collage poetry. Powerful, touching, innovative & humorous, these poems illuminate the underground poetry scene to give the reader a view of the real new American poetry. Kirby Congdon, Hugh Fox, Stanley Nelson, Harry Smith, Richard Kostelanetz, A.D. Winans, Lyn Lifshin, Eric Greinke, Lynne Savitt, Doug Holder, John Keene, Mark Sonnenfeld & Richard Morris Continue reading

Ace Yamashita | Dhamma | NA1036

On the back glossy sleeve in almost indiscernable print is the statement, “It doesn’t mean that it wouldn’t exist because the humans couldn’t see it. It doesn’t mean that it wouldn’t exist because the humans couldn’t hear it.”That type of enlightened thinking seems to relate to how Yamashita approaches music, and probably life. There are subtleties in his playing that must be brought out by the listener, yet they are present just the same. There are also some very overt statments that require no translation. Yamashita appears to be tying the ancient with the modern with his meditative playing, relating his Japanese ancestry to the current times. Ignoring the deeper philosophical meaning and concentrating strictly on the music, this is a very fine solo guitar album with seductive sonic qualities. It has trance-inducing effects, but mostly it is a solid example of the improvisatory process by a very serious musician — Frank Rubolino
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