Faruq Z. Bey with Northwoods Improvisers | Journey into the Valley | Entropy Stereo Recordings

Faruq Z. Bey – tenor, alto saxophone, poetry | Mike Carey – tenor saxophone, bass clarinet, flute | Skeeter Shelton – tenor, soprano saxophone | Mike Gilmore – vibes, marimba | Mike Johnston – bass, gongs | Nick Ashton – drums. Executive producer: Mike Khoury. Recording, mixing & mastering: Tim O’Brien. Photography: Jay Shurtliff. Design: Mark Rudolph. All music is acoustic.A film by: Timothy O’Brien and Andrew Bare. Original DVD contains: 1 hour feature live music performance3 bonus songs 3 interviews 3 poetry pieces slide show (plus more) bonus CD of 5 tracks taken from the dvd (same sound mixes). Continue reading

Farouq Z. Bey with Northwoods Improvisers | Emerging Field | Entropy Stereo Recordings

Emerging Field marks the sixth release of Faruq Z. Bey with the Northwoods Improvisers on the Entropy Stereo label. This release finds the group exploring rhythm and space in a broader sense than previous offerings. Faruq Z. Bey, Mike Carey, and Skeeter Shelton create thoughtful space and intricate conversations in their horn lines evoking a relaxed and passionate response with a solid blues focus. Mike Johnston and Nick Ashton root the group with their sound rhythmic foundation. The track Mokondi brings out the strength of this rhythm section. Mike Gilmore floats in and out of the music with vibes and marimba reminding one of some of the fantastic work of the late Walt Dickerson. Among the highlights are Carey’s arrangement of Ornette Coleman’s Beauty is a Rare Thing, and Mike Johnston’s Tenere’. Continue reading

Griot Galaxy | Live at the D.I.A. | Entropy Stereo Recordings

For nearly two decades Griot Galaxy was at the vanguard of the Detroit Music scene. Members of the band performed and recorded with Roscoe Mitchell, Sun Ra, Abdullah Ibrahim and Phil Cohran. The fact that there were only two releases of the band under their own name during this period seems criminal. Entropy Stereo is pleased to present this complete concert performance at the Detroit Institute of Arts from 1983. Beautifully recorded, this is Griot Galaxy at their peak. Griot Galaxy was Faruq Z. Bey, Tani Tabbal, Jaribu Shahid, Tony Holland and David McMurray. Continue reading

Moe! Staiano’s Moe!Kestra! | Two Forms of Multitudes: Conducted Improvisations

All compositions, conductions and arrangements by Moe! Staiano. Note: The pieces are two large compositions as a whole. The indexes are provided for convenience only. Part of Conducted Improvisation Piece No. 4 was previously released on the KFJC compilation ‘Ghost Machine; Live from KFJC 89.7 FM’ (2002). The first ten minutes were edited out (hence the fade-in) to accomodate the duration of a single CD. © 2003 Moe! Staiano Continue reading

Moe! Staiano’s Moe!Kestra! | An Inescapable Siren Within Earshot Distance Therein And Other Whereabouts

Moe! Staiano’s Moelkestra!: Two Compositions for Large Orchestra. Produced and mastered by Dan Rathbun, November,2004 at Polymorph Studios, Oakland, California, USA Co-produced/policed by Gino Robair, Jonathan Segal, Moe! Staiano and Michael Zelner. Piece No.7 recorded live in performance by Michael Zelner, June 3,2003 at the Oakland Theater Box, Oakland,California. Piece No.5 recorded by Cuco Daglio and Guy Brenner, November 7,1998,attheYerba Buena Center for the Arts, San Francisco, California for the OPUS415 Marathon *4. Note:The pieces are two large (and yet,separate) compositions as a whole.The indexes are provided for convenience only. All compositions, conductions and arrangements by Moe! Staiano. Design by Dan Kletter. Photos by Peter Conheim (Piece No.5 image) and Dave Grossman (everything else) © & © 2006 Moe! Staiano, © 2006 Rastascan Records, © 2006 Amanita Records. Continue reading

Moe! Staiano’s Moe!Kestra! | Two Rooms Of Uranium Inside 83 Markers: Conducted Improvisations Vol. II

Moe! Staiano founded the Moe!kestra! project back in the beginning of 1997. The idea came from a show he did in 1996 in Berkeley at a place called Beanbenders where he gathered some dozen or so musicians to do a simple instruction, playing a one sustained note from soft, quite, crescendoing into a loud frenzy before playing free and all totally out while Moe! destroys several television sets and lighting off Whistling Pete’s fireworks (a frantic and future Moe!kestra! player Bill Horvitz had to momentarily stop Moe! to save his guitar amp that was in harms way). At the end of the show o all the excitement and cheering, Brian Hall (from Ubzub) was shouting “Moechestra! Moechestra!” This gave Moe! the idea of working in a large orchestra format and started writing text instructional scores (Moe! has no music theory, so he needed to describe how the musicians play his scores though there are some notated parts, both traditional and graphically) and wrote Piece No.1: Death of A Piano, which was loosely based on the 1996 performance and literally requires the actual destruction of a piano, which has been performed in about six times total. Continue reading

John Bennett | Tire Grabbers | an audio book

Tire Grabbers is the story of the coming of Moloch, a horrific force that mutates out of the Era of the Great Schism and – feeding on spiritual marrow – threatens Mankind’s extinction. And it is the story of the children who challenge Moloch, with their innocence and with an army of mind creatures that they eject into the outer world and call…– John Bennett Continue reading

The Long Way Home | The Best Of the Little Red Book Series | 1998 – 2008 | E-Book

This sturdy series of little ‘books’ has been compared to the Pocket Poets series begun in the early 60s by City Lights Publishing and continues to delight audiences with the powerful imagery of the writers selected. As Laurel Speer (Beatlick News) wrote: “You can carry a Little Red Book in your coat pocket along with a passport. The passport will take you out of the country. The book will transport you out into the galaxy.” Continue reading