Interzone | Plays with Adam Pierończyk | Not Two Records
Interzone Plays with Adam Pierończyk Not Two, 2000 | MW 716-2 | CD Adam Pierończyk – tenor & soprano sax, zoucra | Mircea Tiberian – piano | Maurice de Martin … Continue reading
All artists filed by last name under M, N, O and P :
Interzone Plays with Adam Pierończyk Not Two, 2000 | MW 716-2 | CD Adam Pierończyk – tenor & soprano sax, zoucra | Mircea Tiberian – piano | Maurice de Martin … Continue reading
PBS is a 1999’s trio led by drummer Jacek Kochan. The dominant style here is an Ornette-ish kind of free blues feel, with material contributed by all three men. Kochan, who directs the musical flow from the traps, studied in the U.S. back in the Eighties, and he combines the melodic drumming of a master like Max Roach with the polyrhythmic approach to Elvin Jones. His beat is infectious, and so is the lift he brings to a band. Considering that you can feel that kind of energy through your home stereo, imagine how inspiring it must be to be sharing a bandstand with Kochan. Saxophonist Pieronczyk has an attractively gruff sound on tenor, loose and facile with hints of Sixties-era Rollins and Coltrane. His soprano is a pleasant surprise, controlled and tuneful. Kochan’s “Sparrow Dance” is his soprano feature, as he races bassist Ed Schuller’s busy throb and the composer’s pounding drums to the end. Schuller is in his element here, with a lot of space to fill with his massive sound and an active rhythm partner in Kochan. He also contributes two compositions. His “Sooner Then Before” is a dedication to the late Jaki Byard, with Pieronczyk on tenor charging through the melody urged on by Kochan and the composr’s probing bass. It’s a long track, but they prove time and again on the CD that they can grab and hold the listener’s interest without strain, even on original tunes that run as long as ten minutes. The other long piece, “For Walter” by Pieronczyk, is a tender song that evokes a relaxed performance and a spirited tenor solo. All told, an ispired first-time encounter among three musicians with limitless imaginations and big ears. Very hip, and recommended. — Stuart Kremsky (Cadence) Continue reading
Dear Listener we are proud to present our latest recording, family song. The quartet has been composing, performing and recording with the same personnel for five years. Most of the titles of the compositions on this CD contain references to our families and friends. For this reason we would like to dedicate this album to those people who occupy a special place in our lives. LA. Jazz Quartet, July 1998 Continue reading
Piotr Lemańczyk – leader, bass guitars, voices | Dariusz Herbasz – tenor saxophone | Sławomir Jaskułke – keyboards | Tomasz Łosowski – drums | Maciej Sikała – tenor and soprano saxophones (8, 2/solo) | Mieczysław Szcześniak – vocal (2) | Leszek Dranicki – guitar (7) | Cezary Paciorek – accordion (1, 3) Continue reading
Tomasz Gwinciński – guitar, banjo | Loco Richter – bass guitar, B-3 organ | Arkadiusz Skolik – drums, xylophone | Renata Suchodolska – cello | Tomasz Mucha – violin Continue reading
Jerzy Mazzoll – clarinet, bass clarinet | Mikołaj Trzaska – alto and soprano saxophones | Tymon Tymański – double-bass | Jacek Olter – drums Continue reading
I consider the five night stand by the Vandermark 5 at Alchemia in Krakow, Poland from March 15 -19, 2004, to be one of the highlights of my career”.Ken Vandermark Continue reading
Great unpretentious sax trio playing improvised music around thematic structures, with three excellent musicians, freely, but sounding like a very traditional bop sax trio. A pleasure to hear, “fine objects for listening”, as Joe Morris aptly puts it in the liner notes. Morris plays bass, Petr Cancura tenor and soprano, and Jason Nazary drums. The playlist consists of two “older” Morris compositions, one by Dolphy, one by Ornette Coleman, and a few group compositions/improvisations. The sound quality is good, the technical skills are excellent, the improvisations deeply felt, the accessibility is high. No boundaries are broken, no exceptional things are tried out, but just listening to the absolute basic notion of what a sax trio should sound like, is a true joy. — stef, freejazz-stef blogspot Continue reading
Some pieces are quite jazzy, rhythmic even, but some of the other tracks go deep into uncharted tonal territories, with Duval on arco and Perelman exploring the higher regions of his tenor, as on “Eyes And Pearls”. Some, like “Polish Poles” mix both, starting quite avant-garde, the tune starts gathering rhythmic momentum as it evolves and becomes jazzy. A nice album for those who like adventurous intimacy. — stef, freejazz-stef blogspot Continue reading
Lotus Symphony – a serene pool where a forest of sound can exist, because the artists have committed to coming together, symphonically, in the rhythms of light where the tradition of American Improvised Music has no bounderies, celebrated and thus the special bloom occurs. Special thanks: to all the musicians who contributed their artistry in making this recording come to life. Eric Enjem and to Marek Winiarski at NotTwo Records. — Michael Marcus, August 2008 Continue reading