Q – R – S

All artists filed by last name under Q, R and S :

Satoko Fujii Orchestra Tokyo | Live!! | Libra Records

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Live!! is pure candy, a treat in every aspect. This album offers a riveting 70-minute set, both as an audio CD and a video DVD… Highlights abound… Each of the seven tracks features two lead players or soloists, so that at the end of the album all 14 members of the orchestra had their moment in the spotlight. Fans of Fujii’s highly personal, lyrical yet high-energy composition style will be in seventh heaven. Highly recommended and a 2006 must-have. ― François Couture, All Music Guide Continue reading →

Satoko Fujii Orchestra New York | Summer Suite | Libra Records

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I love Satoko’s strong charts and engaging harmonies for all of the reeds and brass with inspired solos from the tenor sax and trombone, but it is the strong ensemble sections that really stand out… Her great New York Orchestra has not played in New York for quite a while, we can only hope they have an opportunity to do so in the not too distant future. In the meantime, you can get this treasure and their many layers of talent. — Bruce Lee Gallanter, Downtown Music Gallery Continue reading →

Satoko Fujii Orchestra New York | Eto | Libra Records

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My husband, Natsuki Tamura will turn sixty years old this year. In Japan we have a special celebration for sixty years olds, called “Kanreki.” We use the Chinese zodiac in Japan which is called “Eto,” so 12 years is one cycle. 60 is a special number because it is 12 x 5 and 10 x 6. The duodecimal system and decimal system meet at 60. I wanted write some music for this, and read a bit about the Chinese zodiac. Each of the 12 animals in the zodiac has its own character and each character inspired me a lot, so I wrote a short piece for each of them to make one long suite. Each piece has featured solo player. — Satoko Fujii Continue reading →

Koh | Satoko Fujii | Ted Reichmann | Yamabuki | Libra Records

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Koh is a charming singer and here she collaborates with Satoko Fujii on piano and Ted Reichman on accordion. On the opening piece, “Sola”, Satoko plays mostly inside the piano with some objects as Koh stretches out her notes pure and clear. Satoko’s piano is rich, melodic and quite haunting. Koh is singing in Japanese and it sounds as if she is singing a touching ballad. Satoko’s lovely piano and Ted Reichman’s eerie, yet melancholy accordion both surround and support Koh’s precious voice just right. The songs seem to come from an older tradition with their quaint, Broadway-like melodies. Koh reminds me at times of Laura Nyro, perhaps a bit more quirky. Since I don’t know what she is singing about, the feelings and emotions in her voice do still come through. What I find most amazing is that this disc brings out something quite different from Satoko Fujii than we’ve ever heard, her playing is just so warm, exquisite, rich and touching it is hard to believe that she also spars with master drummer Tatsuya Yoshida. — Downtown Music Gallery Continue reading →

Satoko Fujii Orchestra | Zakopane | Libra Records

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There are several outstanding qualities that emerge in pianist Satoko Fujii’s big band writing. She has an extraordinary sense of color that plays upon the moist exquisiteness of muted shades, as well as recognizing and utilizing the vivid ends of her palette of colors. She also combines ingenious use of the timbre of various elements of a big band – brass, reeds nad woodwinds, strings that replicate the rhythmic nature of the piano and those in the lowest register, and brilliant use of percussion coloring. She combines all of this like a visual artist working on a gigantic canvas, infusing it with unique color and ensuring that it remains wet so that it appears to change shape and hue every time it presents its arresting sight to the inner eye… The result is a dish so wild and flaming that it burns with the fever of artistic fission. ― Raul d’Gama Rose, All About Jazz Continue reading →

Max Johnson | Mark Whitecage | Steve Swell | Tyshawn Sorey | Quartet | Not Two Records

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With the onset of fan donation pages all over the Internet artists, musicians and inventors of all sorts can now speak directly with their fans and solicit funds for all types of projects. Some are fantastical like ‘help me turn into a cat’ fund or ‘help make my paper clip rocket ship a reality’, but more often than not it is a musician with a book of songs that means the world to them and are looking for a way to make their vision a reality. There are even added perks to sites like these. They come in the form of incentives for the public’s donations, such as a copy of the completed album or even executive producer credits. The Max Johnson Quartet is a success story born from this new artist driven way to produce music. From a business model to recording and art work, (fantastic by the way if you can get a close look at it) to getting Not Two Records to back the recording. — Philip Coombs Continue reading →

Forbes Graham | Dave Rempis | Pandelis Karayorgis | Luther Gray | Construction Party | Instruments of Change | Not Two Records

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This collaborative quartet was formed in the winter of 2008, when Rempis took advantage of one of his regular trips home to visit family in Boston to start a musical relationship with some of his favorite musicians in that city. Having known Pandelis Karayorgis for almost a decade through fellow musicians Nate McBride and Ken Vandermark, the two decided to round out a quartet with the wide-ranging capabilities of Forbes Graham on trumpet, and the old-school driving swing of Luther Gray on drums. Since that time, the group has normally played once or twice a year in Boston, working on a set of compositions brought in by all its members. The band recorded in December of 2009, a recording which is came out on the Polish label Not Two Records in 2012 as “Instruments of Change.” — Stu Vandermark, Boston Jazz Scene Dec 2010 Continue reading →