Zeno de Rossi Shtik | The Manne I Love! Vol.1 & 2 | El Gallo Rojo Records

De Rossi’s take on Manne is reminiscent of John Zorn’s tribute to Ennio Morricone on The Big Gundown (Nonesuch, 1986), where the Downtown saxophonist/composer combined various musicians to salute the spirit of the noted film composer. Like Zorn, De Rossi chooses not to adhere to strict covers remakes, employing Daniele D’Agaro and Francesco Bigoni, on his cover of Sonny Rollins’ trio session, Way Out West (OJC, 1957), as a two-tenor saxophone conversation, under which he applies his deft beats. Throughout the set, De Rossi’s passionate playing is the constant—like Manne, always swinging and tasteful. […] Throughout, De Rossi delivers a drum clinic. Accenting, driving, and swinging the tribute, he makes you want to dig in, dig? — Mark Corroto, All About Jazz – 21.12.2010 Continue reading

Pepe Medri & Timbuctu Orkestra | Fernando | El Gallo Rojo Records

A good artistic fellowship needs lucky encounters and a balance of personalities that is often hard to reach. I can tell that Pepe Medri’s Timbuctù Orkestra has these features. The credit is to give to Pepe’s music, which comes from tango and folk music and trusts to the collective arrangement of an ensemble made from musicians coming from jazz and contemporary classical music. The balance produced, between folk roots and free-improvised areas, strictness and naïvety, is real magic. — Dimitri Sillato Continue reading

Pete Robbins’s Unnamed Quartet | Live in Brooklyn | Not Two Records

The experience of playing completely improvised music can completely run the gamut. When the performance isn’t working Ifor reasons that are only somewhat predictable), there are few situations that are more uncomfortable and less enjoyable. But when the music really IS working, ifs a feeling of privilege and of pleasure that can otherwise be hard to come by. Particularly in New York, musical collaborations come and go all the time, and often their longevity or the frequency with which they showcase their work don’t necessarily correspond to how compelling the music might be. The group heard on this recording had only performed a handful of times (and only in front of a handful of people) when this concert was documented. But the fact that I felt moved to have this gig recorded is testament to the special nature of this lineup of musicians. It is truly rare to stumble upon a group where each of us can be so comfortable being both active and re-active, primary and complementary. This is a function of the respect that each of us has for one another as creative agents, sponges for sonic information, and partners in crime. I hope the music is as enjoyable to listen to as it was to create. — Pete Robbins Continue reading

Simon Rose | Schmetterling | Not Two Records

The recording was made between 10 and 12.30 am on 27* April, 2010 at St. Joseph Krankenhaus (psychiatric hospital) Berlin-Weissensee in an extraordinary, boat shaped hall with a wooden structure in the high ceiling. Elmar Susse suggested the space and recorded using a pair of Neumann microphones. The building is surrounded by trees and plants and bird song may be clearly heard in the quieter parts. There is no post-production treatment of the sound, which represents the saxophone sound in that space, without editing. The saxophone is a 1932 Conn. Continue reading

The Kris Wanders Outfit | In Remembrance of the Human Race | Not Two Records

Some of the musicians that were associated with Kris Wanders over the years he has been active, playing free form jazz and improvised music, include the following: Charles Hurdak (tp Hungary) Willem Breuker (reeds NL) Peter Brötzmann (reeds Germany) Claude Deron (tp Belgium) Alexander von Schlippenbach (pi Germany Globe Unity Orchestra in 1966/1967.) Fred van Hove (pi Belgium) Kees Hazevoet (pi NL) Arjen Gorter (Bass Nl) Louis Moholo (Drums, South Africa) Willem Van Manen (tb NL), Peter Kowald (bass Germany) Stu Martin (drums USA) Han Bennink (Drums NL). Nicole vanden Plas (piano Belgium) Jan vanden Plas (cello Belgium) Radu Malfatti (Tb Austria), Gunther Hampel (vib Germany), Irene Schweitzer (pi Swiss), Paul Lovens(drums Germany), Michel Pilz(bscl Luxembourg), Edgar Bateman (drums USA) Mani Neumeier (Drums Swiss), Maartin Van Duynhoven (drums NL), Mongezi Feza (tp (South Africa) Calyer Duncan (drums USA) Joost Buis (tb NL) Felicity Provan (tp NL) Nico Schauble (drums Germany) Gerd Dudek (ts Germany) Manfred Schoof (tp Germany), Albert Mangelsdorff (tb Germany), Buschi Niebergall (bass Germany), Sven-Åke Johansson (drums Sweden) Johannes Bauer (tb Germany) & more. Continue reading

Avram Fefer | Eric Revis | Chad Taylor | Eliyahu | Not Two Records

Avram Fefer – Alto, Tenor Saxes | Eric Revis – Bass | Chad Taylor – Drums. All compositions by Avram Fefer (SACEM) except track 1 and track 5. Recorded January 9, 2010 by Ivan Julian in NYC at HED Recording Studios. Mixed September 3, 2010 by Jason Candler at The Maid’s Room. Cover photo by Avram Fefer. Photos of Revis and Taylor by Michael Jackson. Photo of Fefer by Marie-France. Continue reading

The Resonance Ensemble | Kafka In Flight | Not Two Records

Magnus Broo – trumpet (Stockholm) | Michael Zerang – drums (Chicago) | Ken Vandermark – tenor saxophone, Bb clarinet (Chicago) | Mikolaj Trzaska – alto saxophone, bass clarinet (Gdansk) | Mark Tokar – bass (Kiev) | Steve Swell – trombone (New York) | Dave Rempis – alto & tenor saxophones (Chicago) | Per-Âke Holmlander – tuba (Stockholm) | Tim Daisy> – drums (Chicago) | Waclaw Zimpel – Bb & bass clarinet, taragato (Warsaw). All compositions by Ken Vandermark (Twenty First Mobile Music / ASCAP). Recorded in concert at the Philharmonic Hall, Gdansk, Poland, by Piotr Traszkiewicz on October 31, 2009. Mixed by Bob Weston and Ken Vandermark at Chicago Mastering Service. Cover design by Marek Wajda. Thanks to the musicians, Marek Winiarski, Marek Wajda, Ola Trzaska (who made the concert in Gdanks possible), the presenters who took a chance on the band (except for the organizer in Szekesfehervar, who never paid us), and of course – the listeners. Continue reading