All artists filed by last name under M, N, O and P :
to Sonia… This album was recorded under the mountain dew among the Alps, on the side of Mount Grona, with an acoustic guitar and a few other instruments. Refugio is a quest in the intersection of two mountain chains, the disclosure of an ancient, dusty and seaside soundscape where it’s possible to discover the necessary asylum to grow and find a precious refuge for melancholy. Continue reading
The album features very light percussion by Billy Hart who plays in a very subtle and shape shifting manner. Fewell has an appealing tone, moving through and weaving in and out if the music. Tchicai and Kohlhase play at a slow burn throughout and the mystical – spiritual – incantatory vibe suits the music well. This is a fine collective album, quiet and thoughtful, played at a summering level which allows space for all voices to be heard, it’s a cooperative group where no one dominates. — Tim Niland Continue reading
For avant modern jazz piano trio music at its free best, you can’t go wrong with RED Trio. And their LP on No Business (NBLP 67) is as good a place as any to start. They give us three supercharged cuts. — Grego Applegate Edwards Continue reading
I guess we all know this. You buy a new record/CD and as soon as you are at home you put it on your stereo. You listen to it for the first time and you think: Okay, strong, a good album. Then you listen to it again and again and the more often you listen to it the better it gets. You discover hidden qualities, surprising and interesting details, you recognize what a treat it is. Fabric Trio’s “Murmurs” is exactly such an album. — Martin Schray Continue reading
This music is evidence of the existence of entire jazz worlds that most listeners and even collectors might easily be unaware of. Satoko Fujii is obviously a master and a visit to her website reveals a rich catalog of recordings. That such music can be recorded is evidence that such worlds can be easily visited by wanders who fly about in their internet tardis. Tornado was released by Circum-Libra Records. You can also get solo recordings by Fujii (Gen Himmel) and Tamura (Dragon Mat) on Libra Records. I will review these in short order. I urge you to seek out and purchase these recordings. This is music worth investing money, time, and heart in. —Ken Blanchard Continue reading
BLACK MESSIAH Fear, hydra-headed fear, which is rampant in all of us, is a hang-over from lower forms of life. We are straddling two worlds, the one from which we have emerged and the one towards which we are heading. That is the deepest meaning of the word human, that we are a link, a bridge, a promise. It is in us that the life process is being carried to fulfillment. We have a tremendous responsibility, and it is the gravity of that which awakens our fears. We know that if we do not move forward, if we do not realize our potential being, we shall relapse, sputter out and drag the world down with us. We carry Heaven and Hell within us; we are the cosmogonic builders. We have choice — and all creation is our range. — Henry Miller – Sexus (1945) Continue reading
ANOTHER ONE BITES THE DUST (a few words on how Ragged Lion came about) On February 27, 1998, Jack Micheline, America’s quintessential street poet, died on a BART train in the San Francisco Bay Area. I got the word from Al Masarik before the obits hit the papers. “Another one bites the dust,” said Al. The Beats and kindred spirits are dying off like flies—Kerouac, Cassady, Henry Miller, Bob Kaufman, William Wantling, George Montgomery, Bukowski, Burroughs, Jesse Bernstein, Ginsberg, Micheline and—on November 3, 1998, a little more than eight months after Micheline’s death — Ray Bremser. Continue reading
A Vagabond Publication, 605 E. 5th Ave., Ellensburg, WA 98926. Library of Congress Catalog Card Number: 78-65142 | ISBN: 0-912824-21-2 (c) 1979 John Bennett. Cover design by Cindy Bennett. Drawings by Charles Bukowski. Second edition. Continue reading
Swedish azz is not a joke or a sideshow, as it might appear in a career as drivingly exploratory as Gustafsson’s. Nor is it merely a verbal game, playing with the derivations of jazz/jass/yazz. It is both homage and homecoming, a warm acceptance of the view from a small window on the world. It doesn’t take up slingshots or seek to knock down the neighbouring structures. It is accepting music, as rich and as heady as cognac. — Brian Morton Continue reading
Sabir Mateen: tenor saxophone, clarinet | Stefano Ferrian: alto/tenor saxophone | Luca Pissavini: double bass | Andrea Quattrini: drums. Recorded live at Novara Jazz 2010 by Patrick Spina. Mixed by Stefano Ferrian at dE-NOIZE Studio. Mastered by Maurizio Giannotti at New Mastering Studio. Cover photo by Stefano Ferrian. Continue reading