M – N – O – P

All artists filed by last name under M, N, O and P :

EA Orchestra | Likeidos | Amirani Records

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Amazing interplay and brilliant skills are here the perfect medium to reach perfect result, in terms of complexity, fresh interpretations and emotional involvement. A breathtaking performance in a superbe recording session, featuring the most interesting voices of the italian avant-scene, here is an high level release with intriguing compositions by bassoonist Alessio Pisani and trumpetist Mirio Cosottini, founders of GRIM, artistic association that aims to promote improvisation and a fresher approach to modern composition. Continue reading →

The Shoreditch Trio | Again | Amirani Records

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When I think about what I look for in a musician it is that they add something to music. That they have their own musicality. The musician also has to have a generosity of spirit. Freely bringing their complete range of skills to the playing situation and serving a musical imperative rather than following or hiding behind an agenda. They must also have what I call the edge. This is creating in real time. There are many musicians who can play Charlie Parker solos note for note but the edge is missing as they are not, nor ever could be, Charlie Parker. Non of us can be someone else. To have the edge is not to trot out a series of well rehearsed licks but to be there, in the moment, playing the music in the way only you can. I have had the good fortune to have played with three musicians on this CD and they pass all my criteria to the full. Generous with ideas, open minded and spirited, and with a genuine musical curiosity. As a group I heard them in October 2009 at Shoreditch Church in London and thought at the time ‘this group has legs’ meaning that it could continue growing and developing its music for a long time if the chance was there. I’m delighted it wasn’t a one off concert and that the group has indeed grown into the fine one you can here on this CD, where each musician is intimately aware of the space occupied by the others and the aim is quite simply to play good music. — John Russell Continue reading →

Andrea Wolper | The Small Hours

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One of the best things about releasing a CD is it gives one the opportunity to express gratitude to the many people who’ve helped along the way. I have to start with Ron and Ken, without whom this would surely be a very different CD. Playing music with them—not to mention hanging out between sets—is just a hell of a lot of fun, and they both continue to inspire me more, I’m sure, than either would imagine. Victor, Frank, Lou, and Jamey all have unique voices that we wanted on the date, and they all jumped right in, fully and generously. I’m grateful to each of them for their special contributions. Todd brought not only his expertise as a producer, but also respect and openness, as well as a belief in the project that really made a difference. Thanks also to Katherine Miller, whose great technical skills are matched by great ears, and to Todd Gerard for his excellent work and sensitive approach. — Andrea Wolper Continue reading →

Ken Filiano | Michael Attias | Tony Malaby | Michael T.A. Thompson | Dreams From A Clown Car

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Think of a Clown Car… and right away a number of images and impressions come to mind: a huge circus tent, a universe in itself; a group of crazies; a festive honking time; loud, often delirious laughs; vivid colors; fun costumes; wild make-up; big red noses, big bright sounds; dramatized human behavior, both humorous and sad; things magical, so different from everyday life; sizzling energy; subtle poetry; and more, how, think of Dreams… and likewise right away a number of thoughts and reflections also come to mind and take you to strange other worlds: unexplainable odd situations; noble aspirations that can’t materialize yet; beautiful warped reality; impossible things becoming possible instantly; and much more. 5o, with the myriad thoughts that Dreams can evoke, combined with those triggered from an implausible “Clown Car Band” comprised of four highly sensitive musicians/creative improvisers, everything becomes possible. The resulting tunes – each with a title chosen with great care — are profoundly vivid expressions of a few “moments” of life, gripping musical paintings bearing not only the distinctive signature of their composer / band leader, but also the distinctive personalities of each member of this brilliant energetic quartet. Colors, sounds and energies converge, intertwine, blend, their metamorphosis growing on the tunes’ canvasses as vibrant sketches, irradiating LIFE in its many forms. — Gilles Marie-Paul Laheurte Continue reading →

Nobuyasu Furuya Quintet | The Major | No Business Records

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Nobuyasu Furuya is a relatively little-known Japanese reedman who lives in Lisbon, where he’s been making associations with some of the city’s finest improvisers. Following his 2009 debut on Clean Feed (Bendowa, with bassist Hernâni Faustino and drummer Gabriel Ferrandini) he’s back with The Major, joined by the RED Trio (Faustino, Ferrandini and pianist Rodrigo Pinheiro) and trombonist Eduardo Lála in six original compositions ranging from pulpit-pounding to cagy sonic exploration. On tenor, Furuya’s playing is reminiscent of Peter Brötzmann and Mototeru Takagi, and the RED Trio is akin to a contemporary version of ARC or a free-improv version of the Garland / Chambers / Taylor rhythm section. They’re surely one of the most cohesive improvising trios in modern music, and collaborations with figures like John Butcher, Nate Wooley and now Furuya are extra icing on the cake. The three build up a detailed storm behind his gruff, burnished shouts and Lála’s tailgate on “Jap Agitator Caught Again”, bashing and whacking brush alongside the leader’s manic sear. Opening the flip side, “Where Are the Brothers and Sisters?” has a chunky ragtime to no-time rhythmic bash, with Lála’s Rudd-like slushy chortle sailing on the pianist’s eddies. The trombonist is an impressive member of the front line, belting out jovial and brusque commentary. The Major is an enjoyable and frequently compelling session with strong, engaging interplay and flashes of studied seamlessness. What more could one ask for from a second date? — Clifford Allen Continue reading →

Daunik Lazro | Jean-François Pauvros | Roger Turner | Curare | No Business Records

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Exceptional music that’s blazingly intense yet judiciously moderate, Curare, apparently named for the South American muscle-relaxant plant, captures sessions recorded almost two years apart from what in advanced music terms is a super group. All of its members have been plying their trade in this gene since the 1970s, French baritone saxophonist Daunik Lazro with the likes of soprano saxophonist Michel Doneda and bassist Joëlle Léandre; fellow Gaul, guitarist Jean-François Pauvros with everyone from drummer Makoto Sato to harpist Hélène Breschand; and British percussionist Roger Turner with seemingly every advanced sound explore in the United Kingdom, North America and the Continent. Never before have they recorded in trio formation and the four tracks hang together so well because of another contradiction: each cooperates fully with the others, but no one alters his individual style. — Ken Waxman Continue reading →

Mockuno NuClear | Drop It | No Business Records

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This is the first album of this trio with my homeland musicians. The music balances in between impro and composed, between heavy and beautiful, between jazz and whatever… I’v been playing most of these tunes with different ensembles of mine during the last 6 years, but they have never been released for different reasons. I realised – to be able to move on you really have to finish your unfinished work… Here it is. Enjoy! — Liudas Mockūnas Continue reading →

The Fonda | Stevens Group Trio + 2 | Live in Katowice | Not Two Records

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Harvey Sorgen – Drums |Ireneusz Wojtczak – Tenor Saxophone, Bass Clarinet | Maciej Obara – Alto Saxophone | Joe Fonda – Acoustic bass | Michael Jefry Stevens – Steinway Grand Piano. Recorded on October 22, 2009 at the Upper Silesan Centre of Culture in Katowice, Poland / Jazz Club Hipnoza. Recorded by Marcin Chlebowski. Edited and mastered by Jon Rosenberg. Produced by Joe Fonda and Andrzej Kalinowski. Continue reading →

Joe McPhee | Jeb Bishop | Ingebrigt Haker Flaten | Michael Zerang | Ibsen’s Ghosts | Not Two Records

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Joe McPhee – tenor saxophone |Jeb Bishop – trombone | Ingebrigt Haker Flaten – bass | Michael Zerang – drums Recorded at Victoria Theater, Oslo, February 21, 2009. Recorded by Thomas Hukkelberg. Mastered by Rafal Drewniany (dts studio). Produced by Ibsen’s Ghosts. Co-produced by Marek Winiarski. Cover art, photos and design by Marek Wajda Continue reading →