All artists filed by last name under M, N, O and P :
Stefan Keune – sopranino and tenor saxophones | Dominic Lash – double bass | Steve Noble – drums, cymbals and percussion All compositions by Stefan Keune (GEMA), Dominic Lash (PRS) … Continue reading
Not Two, 2015 | MW 924-2 | CD Mats Gustafsson – slide, tenor, baritone and bass saxes, electronics and piano mate | Ingebrigt Håker Flaten – bass | Jon Rune … Continue reading
Recorded at Studio Sequenza, Montreuil – France, on December 9 – 2014 by Thomas Vingtrnier, assistant Thomas Rasoanaivo. Mixed by Peter Orins in January 2015. CD master by Mike Marciano at Systems Two, New York. Cover photo by Julie Merckling. Band photo by Nodoka Ishida. Cover design and layout by Peter Orins. Produced by Circum-Disc and Libra Records. Continue reading
The Satoko Fujii New Trio (Fujii-Nicholson-Itani) released its debut CD, “Spring Storm” in 2013. Since then, we have performed throughout Japan, Europe and North America. Sometimes Natsuki Tamura joined the trio as a guest artist. He brought energy and humor, so the band had more color. So I decided to change the band name from “New Trio” to “Tobira.” “Tobira” means door in Japanese. I wanted to open the door to bring some fresh air to the music and keep it from becoming closed. I wrote the music on paper and this band made it sound so alive. They know which spices to use. I am so lucky to always can get such great collaborators. I really like our music which is full of energy and hope you also enjoy it. — Satoko Fujii Continue reading
Orchestra Berlin In January 2014, we had an unusually warm winter in Berlin. The exception was the three days that we had the concert and recording for this project. We could see the diamond dust that night and it showed how cold it was. Fujii, who’s been living in Berlin since 2011, started the orchestra project there after founding orchestras in four other cities: New York, Tokyo, Nagoya and Kobe. Fujii had written “Ichigo Ichie” to perform at the Chicago Jazz Festival and wanted to record it in Berlin with the musicians she’d met there. — Natsuki Tamura Continue reading
Art is one way of communicating truth and beauty. For those of us who are convinced that beauty can only come out of truth, the effort involved in shaping an artwork is an intense and deeply satisfying experience. Open Secrets was made in this spirit, with an honesty embedded in each note and each word; with a pulse woven through each verse; with the timeless essence of jazz and the influence of our ancestors as evoked through Celtic Folk music. The recordings on this disc are a sonorous and deeply articulated alchemy. The result illustrates how art is capable of opening the door to a new dimension by combining different disciplines and styles; music and poetry walking hand in hand towards an undefined place full of new discovery. This is a journey into endless landscapes and skies; each unique and special, depending on the emotions of each listener. — Josep Ramon Jove (artistic director) Continue reading
Reciprocal Uncles started in 2009 is already a brand for Amirani Records and delighted audiences in Europe and Usa. Started by the sparklin collaboration between Gianni Lenoci and Gianni Mimmo, the duo has performed in Italy, Germany, Uk, Belgium and in USA in two different tours. Their first album is sold out and has been widely recognized by reviewers all over the planet. Continue reading
Aldo Clementi has been a central figure for the evolution of European New Music since the Fifties. A student of Alfredo Sangiorgi and Goffredo Petrassi, he began to build his own identity as a composer starting from post-Webem serialism coordinates, by elaborating the influence of both attending Darmstadt and acquiring technical skills thanks to the relationship with Bruno Madema. Deeply influenced by contemporary painting (especially by the “informal” art of Fautrier, Tapies, Tobey and Burri, but also by Perilli’s and Dorazio’s works), and by the relationship with John Cage (with whom he shared the passion for chess), Clementi has achieved, since the early Sixties, his own aesthetic, gradually shifting from the structuralist categories to a personal dimension and style. Since the Informel cycle, Clementi’s works feature complex and rigorous contrapuntal textures, resulting from graphic processes and designed to dissolve internal dialectics by saturating the sonic space. Continue reading
This is an epistolary book, a mode of writing quite popular in the 19th century, a form Dostoyevsky used for his first novel POOR PEOPLE, the book he wrote before he went to Jail for a decade. But it wasn’t POOR PEOPLE that got Dostoyevsky sent to Siberia; it was “conspiracy.” Though I doubt Ann or Kell will get thrown in the slammer because of this tome, it is conceivable that with a few changes in politics, along Reaganistic lines, they might be indicted for this conspiracy, this honesty & openness, and life-long iconoclasm that necessarily personifies a poet in these days & times. It is a fine day when one receives a dispatch from either of these two. Both are consummate letter writers. Annie’s most often are typed out in long narrative prose lines, laying on the page like a poem. Kell’s are also typed, and go on for 2 pages and sometimes 4-. Both dip into memories and present thoughts freely, rambling with untarnished sincerity. Both do their writing in the mornings, before work, sometimes before the sun comes up. — Mark Weber Continue reading
The way Dario Palermo deals with formal structures and different expressive grounds, complexity and a peculiar taste for a refined primitive touch is really remarkable. All three compositions here have been conceived as a multi-perspective field of artistic investigation: Dario Palermo RO-Premiére danse de la Lune, featuring a superb interpretation by percussionist Milo Tamez, is an astounding journey through the hybridization process of single percussive voices with electroacoustic treatments, emphasized frequencies, polyrhythmic mazes, generating a sonic organism in which ancestral and future sounds dance a beautiful interaction. Performed by the world-wide prized Arditti String Quartet and by brilliant mezzo-soprano Catherine Carter, the composition Difference Engine delivers a single movement in which several areas fluidly melt in a complex process of metamorphosis. Tasty subtleness, extremely accurate attention to detail, together with a skilled overall compositional vision, build up a macro-object that clearly reveal Palermo’s attitude to complexity and generative compositional method. A great piece. In TRANCE, biological and physical vocal characteristics, and pure singing vocal aspects, are subject-objects (material) of the work, paired in a constant fluctuant correspondence, which structure the shape and form of the work . The central role is played here by vocalist Jean-Michel Van Schouwburg whose journey in phonemes, polysyllables and physical vocal flexibilities find a perfect partner in real time electronic treatment. Continue reading