Hasidic New Wave | Live In Cracow | Not Two Records

As part of the Jewish Culture Festival Cracow hosted an exceptional group from the US – The Hasidic NewWave. The concert of the quintet, which fuses jazz and funk with elements of Jewish and Arabic music, was truly a special event.Co-leaders trumpeter Frank London and saxophonist Greg Wall, guitarist David ,,Fuze” Fiuczynski, bassist Fima Ephron, and drummer Aaron Alexander displayed not only inventiveness, finesse, and unbelievable technique, but created what could only be called a musical spectacle. They were able to draw the audience into the music as virtually active participants, creating a sort of collective celebration of it in spite of the fact that what they played is by no means ..accessible” music. With their Cracow appearance, The Hasidic New Wave fully confirmed the qualities displayed on their CD ,,The Jews and the Abstract Truth”. Wall played incredibly; his improvisations, though rather far out, were well–constructed and convincing. His playing bore not a trace of calculated-ness, just honest, expressive, and highly personal creativity. London displayed equal sound-sculpting prowess, invention and enthusiasm while also connecting with the audience well. The rhythm section also deserves high praise: Fiuczynski amazed listeners with his Frank Zappa-esque guitar stylings, showing great musicality, sound, and feel; Ephron not only accompanied well, but tastefully integrated a variety of electronic effects into the music; Alexander played in a relaxed but at the same time extremely precise manner, with a perfect command of dynamics. His drums had a unique, soft, subtle, and warm sound. The audience had a great time, the atmosphere in the room more reminiscent of that at a regular dance-band gig that an avant-garde jazz concert. Lack of space was the only reason people didn’t start to dance. — Robert Buczek (Jazz Forum) translated by Kami White Continue reading

Los Angeles Jazz Quartet | Family Song | Not Two Records

Dear Listener we are proud to present our latest recording, family song. The quartet has been composing, performing and recording with the same personnel for five years. Most of the titles of the compositions on this CD contain references to our families and friends. For this reason we would like to dedicate this album to those people who occupy a special place in our lives. LA. Jazz Quartet, July 1998 Continue reading

Vandermark 5 | Annular Gift | Not Two Records

The Vandermark 5’s Annular Gift is its most accessible and swinging recording to date. Recorded live (one reason) in Krakow, Poland, the quintet has come together (reason two) as a true aggregate of players. This is their fifteenth official release (there have been some CD-Rs and compilation discs) and third for the Polish label Not Two. The others were the sprawling and ultimately satisfying 12-CD collection of live dates at Alchemia in 2004 (since Alchemia, cellist Fred Lonberg-Holm replaced trombonist Jeb Bishop in V5) and a double-LP, Four Sides Of The Story (2006). Continue reading

The Rob Brown Trio | Live at Firehouse 12 | Not Two Records

Alto saxophonist and composer Rob Brown moved the New York City in the mid 1980’s and slowly began developing an impressive reputation in progressive jazz circles, playing with the likes of Cecil Taylor, Butch Morris and a long stretch in William Parker’s extraordinary quartet. Brown’s music is a very nice modernizing of the progressive alto saxophone tradition of Ornette Coleman, Eric Dolphy and Jackie McLean, building a deep, original and thoroughly modern view of jazz. On this album (I guess it’s recorded live, but I don’t hear any applause) he is joined by Daniel Levin on cello, Satoshi Takeishi on drums and percussion. Brown’s pinched and citrus saxophone tone and Levin’s sawing cello make for an alluring sound. “Quick Be Nimble” is a medium tempo opener, getting a wide open Ornette-ish feel with the musicians probing and exploring. “Walkabout” has a plucked cello opening around slow percussion with metallic gongs and when the alto enters, it makes for an interesting and mysterious sound. — tim, jazzandblues blogspot Continue reading

Michael Marcus | Lotus Symphony | Not Two Records

Lotus Symphony – a serene pool where a forest of sound can exist, because the artists have committed to coming together, symphonically, in the rhythms of light where the tradition of American Improvised Music has no bounderies, celebrated and thus the special bloom occurs. Special thanks: to all the musicians who contributed their artistry in making this recording come to life. Eric Enjem and to Marek Winiarski at NotTwo Records. — Michael Marcus, August 2008 Continue reading

The Charles Gayle Trio | Forgiveness | Not Two Records

Charles Gayle – almost 70-year-old legend of free jazz. He spent almost 20 years playing on the streets of New York City. Gayle begun his professional career in mid 80s performing in clubs (e.g. Knitting Factory) and recording albums (the most important once for Silkheart, FMP, Thirsty Ear and Clean Feed). He cooperated with free jazz giants: William Parker, Rashid Ali and Chad Taylor among others. This new album was recorded at Jazzga Club Continue reading

Satoko Fujii ma-do Quartet | Heat Wave | Not Two Records

This band’s name, like it’s music, has many layers. Ma-do means “window” in Japanese. But “ma” also means “the silence between notes.” Fujii chose the name to show how the music opens to the outside (just like window) and that silence can have more meaning than notes. In an acoustic setting, the group’s absorbing improvisations explore subtle textures and tone colors, using silence and group interaction to build brilliant collages of sound, melody, and rhythm. They have released two CDs, Heat Wave (2008) and Desert Ship (2010) Continue reading