M – N – O – P

All artists filed by last name under M, N, O and P :

The Bubbadinos | Yup, We’re Beating A Dead Horse | Zerx

Posted by

1

As much as Bubba D loved playing the tracking sessions Dino loved the mixing sessions with the post crew DQW (dino/quincy/weber). When we finally dug into the studio “concept album” (#4- yup, we’re beating a dead horse/the sargent bubbadino sessions), we used George Martin’s book (with a little help from my friends), about the making of Revolver/Sgt. Pepper’s/Magical Mystery Tour, as the script for the entire project.– J.A. Deane Continue reading →

Todd Moore & J.A. Deane | Dillinger | Zerx

Posted by

0

“First, it is a great thing to have Dillinger reborn again being read this time you hear his voice in poem Dillinger and Todd Moore is reading his poem of American hero. His voice (Moore’s) and poem enhances J. A. Deane’s music and the music fits like a knife in the rare cooked steak of Dillinger served up by Moore.” — Michael Basinski, The Hold, March 2002 Continue reading →

Karolina Styła | My Favourite Songs | Not Two Records

Posted by

0

I am a Polish singer and I love music. I have been singing for some time, at the age of 18 I recorded my debut cd which you can listen to here, with the top Polish musicians such as Joachim Mencel, Andrzej Cudzich, Lukasz Zyta, Piotr Wojtasik, Leszek Szczerba, Ryszard Styła. With this band I had a lovely time performing at different places, among which the most important Era Jazzu Festival in Poznan 2000 as a support to Archie Shepp. Then I spent 3,5 years at the University of Music and Dramatic Arts in Graz, Austria, where I studied under Jay Clayton, Mark Murphy, Stjepko Gut, Fritz Pauer, Renato Chicco, Laurie Antonioli and others. Since then a few years have passed and I’m again in Krakow, still singing, hoping to do more in music. Continue reading →

Leszek Kułakowski | Katharsis | Not Two Records

Posted by

1

The artist who recorded this album is a pianist who uses tasteful aesthetics created by Hancock and Jarret. Intelectual conception of improvisations, eagerly avoiding tonality, is likeable especially to those acquainted with modern mainstream. Kułakowski is not looking for easy fame. He avoids formal simplifications. He is searching, experimenting. — Piotr Iwicki and Olaf Szefczyk, Gazeta Wyborcza Continue reading →