Jim Ryan’s Forward Energy | Configurations 2002 | Edgetone Records

In what appears to be taking shape as the dark ages of the early 21st century simply endorsing the music that comprises Configurations 2002 – buying it, listening to it, and above all making it — can be seen as an act of rebellion. With political and cultural hegemony increasingly becoming the new world order of the day, radical free-thinking creativity runs directly counter to the seemingly inexorable tendencies of globalization and AOLTime Warner assembly line entertainment. It takes refuge in such virtually undisclosed locations as 21 Grand, The Luggage Store Gallery, 1502 Performance Space, and Kimo’s, venues unknown to the general public while faithfully sustained by the San Francisco Bay Area’s creative music community. On one day in May, 2001, and three days in January, 2002, Jim Ryan gathered the various configurations of his aptly named Forward Energy ensemble in those subterranean haunts and recorded five hours of spontaneous music-making, which have been distilled into this potent double CD. — Derk Richardson Continue reading

Jim Ryan’s Forward Energy | Where Are They? | Edgetone Records

This highly controversial release from one of the jazz masters of the beat generation presents his powerful group Forward Energy in “Where Are They?” In one of Jim Ryan’s best musical recordings to date, you get full bodied jazz explorations from lyrical flute work to full force high energy driving free wheeling swing. Guests include the legendary former Blue Note trumpet player Eddie Gale as well as young Los Angeles lionesses tenor saxophonist Alicia Mangan. Employing his unique classic poetry and slamming saxophone work, Jim presents thought provoking music that will keep you on your toes. Continue reading

Eddie the Rat | Insomnia Sound Bible | Edgetone Records

Insomnia Sound Bible is the songbook to a sleepwalker’s guide through oblivion. Its soundscape is made of violins and cellos, trumpets and clarinets, lots of percussion and homemade instruments, and telepathic harmonizing and other voices. As with all Eddie the Rat recordings, the intention is for the CD to be listened to as a whole, however, these are songs which can also be taken in their own context. Continue reading

Rent Romus | Lords of Outland | Culture of Pain | Edgetone Records

Rent Romus’ long awaited release since 2000 with his ever changing group collective The Lords of Outland, crosses over the boundries of jazz and improvisation infusing noise, free thematic creation, and dismayed sonic expression on the state of the ‘union’, and its self-proclaimed iron fisted mighty hand of destruction and power as a means to world diplomacy and control. Continue reading

Henry Kuntz & Paul V. Kuntz | JAsZ KHARdMA

The title JAsZ KHARdMA stems from Paul’s occasional use of a number of R. Crumb’s Early Jazz Greats Trading Cards inside the piano, laying the cards across the strings to achieve a flapping percussive effect. JAsZ KHARdMA evokes as well that improvisational inspiration of ours that comes from the jazz tradition. It represents our personal connection to that tradition through our family’s New Orleans history and ancestry. Appropriated images from the Early Jazz Greats Trading Cards within the album cover & CD art are used with permission graciously granted by R. Crumb. — Henry Kuntz Continue reading

Carlos Zingaro | Jean Luc Cappozzo | Jerome Bourdellon | Nicolas Lelievre | Live At Total Meeting | No Business Records

The cover to Live At Total Meeting depicts a maze and that’s a good metaphor for free improvised music. No-one knows where they are going or how they will get there. Even whether they have arrived or not is open to dispute. How the participants achieve resolution (of a sort)—negotiated, as it often is, without verbalization—is part of the enduring fascination of such sessions. For sure, the risks are less when veteran improvisers like the Portuguese violinist Carlos Alves “Zingaro” and French trumpeter Jean Luc Cappozzo are onboard, alongside fellow Frenchmen reedman Jerome Bourdellon and drummer Nicolas Lelievre. Between them, they have performed with all the major European and American innovators. — John Sharpe Continue reading

Koh | Natsuki Tamura | Masahiro Uemura | Nankoh Kumon | Do-Chū | Koya Records

KOH (Koh Otera) began her musical career with the help of composer and pianist Satoko Fujii, who produced and played on the Japanese vocalist, pianist and composer’s spare and promising debut, Yamabuki (Libra, 2005). A unique vocalist and pianist, with a rare sensitivity to poetic texts that are the basis for her playful compositions, KOH proves—six years later, with two completely different releases—why Fujii trusted her talent. On both sets she collaborates with drummer Masahiro Uemura, known for his association with sound sculptor Otomo Yoshihide’s outfits and the Shibusa Shirazu Orchestra. — Eyal Hareuveni Continue reading

Koh | Masahiro Uemura | Komado-No-Oh | Tension | Koya Records

Tension is the debut from Komano-No-Oh the duo of KOH and drummer Uemura, who began to perform under this name in 2009. A sense of playfulness is stressed here, and Uemura has much more freedom, in this context, to interpret KOH’s dream-like poems with changing pulses and a wider palette of colors. He mirrors the often cryptic lyrics with healthy doses of fun, either challenging the dramatic delivery or simply injecting a surprising, aggressive shuffle drumming in the middle of an abstract reciting of a poem, as on “A Spider and a Flower.” — Eyal Hareuveni Continue reading

Satoko Fujii Orchestra Tokyo | Live!! | Libra Records

Live!! is pure candy, a treat in every aspect. This album offers a riveting 70-minute set, both as an audio CD and a video DVD… Highlights abound… Each of the seven tracks features two lead players or soloists, so that at the end of the album all 14 members of the orchestra had their moment in the spotlight. Fans of Fujii’s highly personal, lyrical yet high-energy composition style will be in seventh heaven. Highly recommended and a 2006 must-have. ― François Couture, All Music Guide Continue reading

Satoko Fujii Orchestra New York | Summer Suite | Libra Records

I love Satoko’s strong charts and engaging harmonies for all of the reeds and brass with inspired solos from the tenor sax and trombone, but it is the strong ensemble sections that really stand out… Her great New York Orchestra has not played in New York for quite a while, we can only hope they have an opportunity to do so in the not too distant future. In the meantime, you can get this treasure and their many layers of talent. — Bruce Lee Gallanter, Downtown Music Gallery Continue reading