J – K – L

All artists filed by last name under J, K and L :

Satoko Fujii Orchestra New York | Eto | Libra Records

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My husband, Natsuki Tamura will turn sixty years old this year. In Japan we have a special celebration for sixty years olds, called “Kanreki.” We use the Chinese zodiac in Japan which is called “Eto,” so 12 years is one cycle. 60 is a special number because it is 12 x 5 and 10 x 6. The duodecimal system and decimal system meet at 60. I wanted write some music for this, and read a bit about the Chinese zodiac. Each of the 12 animals in the zodiac has its own character and each character inspired me a lot, so I wrote a short piece for each of them to make one long suite. Each piece has featured solo player. — Satoko Fujii Continue reading →

Gato Libre | Forever | Libra Records

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This CD “Forever” is the fifth album released by Gato Libre and sadly, the final one by the group in its original lineup. Bassist Norikatsu Koreyasu suddely passed away in September 2011. No doubt he is out there somewhere, making a fool of himself even as he makes great music. Gato Libre started as a duo consisting of Koreyasu and me. In venues like Knuttel House in Kappabashi, Tokyo, we explored the radical combination of trumpet and bass as we attempted to make music that was unaffected, not necessarily dramatic, but plaintive and maybe a bit mysterious. Later we added guitar and accordion and began performing under the name Gato Libre. But when I fist pictured playing in a duo with a bassist, someone with a deep, compelling siund and a broad musical vision, I immediately thought of Koreyasu. — Natsuki Tamura Continue reading →

Gato Libre | Kuro | Libra Records

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All three Gato Libre albums covers feature a black cat, and “kuro” in Japanese means not only black, but also the blackest black imaginable, and also, according to Tamura, the name of a cat that is “the boss of stray cats.” Gentle and soothing, this closing, title tune, acts both as the bookend to the opening “Sunny Spot,” and a summation of Gato Libre’s aesthetic. Kuro fills the heart while bringing tears to the eyes. — Budd Kopman Continue reading →

Natsuki Tamura Quartet | Hada Hada | Libra Records

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Natsuki Tamura stimulates the memories of “Bitches Brew” through his cool performances. In fact, his concept of selecting sounds to draw the pictures of the new world and constructing the whole piece out of the sounds in a melting pot created by the members without knowing where they are headed has something in common with that of Miles the king. ― Yoshiyuki Kitazato, Ombasya Continue reading →

Koh | Satoko Fujii | Ted Reichmann | Yamabuki | Libra Records

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Koh is a charming singer and here she collaborates with Satoko Fujii on piano and Ted Reichman on accordion. On the opening piece, “Sola”, Satoko plays mostly inside the piano with some objects as Koh stretches out her notes pure and clear. Satoko’s piano is rich, melodic and quite haunting. Koh is singing in Japanese and it sounds as if she is singing a touching ballad. Satoko’s lovely piano and Ted Reichman’s eerie, yet melancholy accordion both surround and support Koh’s precious voice just right. The songs seem to come from an older tradition with their quaint, Broadway-like melodies. Koh reminds me at times of Laura Nyro, perhaps a bit more quirky. Since I don’t know what she is singing about, the feelings and emotions in her voice do still come through. What I find most amazing is that this disc brings out something quite different from Satoko Fujii than we’ve ever heard, her playing is just so warm, exquisite, rich and touching it is hard to believe that she also spars with master drummer Tatsuya Yoshida. — Downtown Music Gallery Continue reading →

Satoko Fujii Orchestra | Zakopane | Libra Records

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There are several outstanding qualities that emerge in pianist Satoko Fujii’s big band writing. She has an extraordinary sense of color that plays upon the moist exquisiteness of muted shades, as well as recognizing and utilizing the vivid ends of her palette of colors. She also combines ingenious use of the timbre of various elements of a big band – brass, reeds nad woodwinds, strings that replicate the rhythmic nature of the piano and those in the lowest register, and brilliant use of percussion coloring. She combines all of this like a visual artist working on a gigantic canvas, infusing it with unique color and ensuring that it remains wet so that it appears to change shape and hue every time it presents its arresting sight to the inner eye… The result is a dish so wild and flaming that it burns with the fever of artistic fission. ― Raul d’Gama Rose, All About Jazz Continue reading →

Gato Libre | Shiro | Libra Records

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Tamura’s compositions and his lead horn form the centerpiece of this album. He weaves melodies that retain a classic majesty even when they are stark, and within this mellow setting, he nevertheless inserts ideas that grab your attention. Shira is a Latin-flavored avant garde jazz that soothes, not confronts, and offers a unique melding of differing styles. Tamura proves once again why he has earned a reputation in improvised music circles as a top trumpeter, bandleader and composer. ― Victor Aaron, Something Else Reviews Continue reading →