Janusz Muniak Quartet | Annie | Not Two Records

Some recordings just don’t inspire to set jazz world on fire and take you into an unexplored regions. Well, one might say, that they don’t contribute anything new to jazz history. So, why was it was recorded at all? For whom? Frankly speaking I ask myself this question each time I put newest Janusz Muniak’s CD “For Annie” on. And every time the answer is the same: this music is for me. If I listen to this music with pleasure, if it frequently visits my home, it means that there is something in it, something just for me. And I reckon that there might be quite many people like me. — Pawel Baranowski Continue reading

George Kalamaras and Alvaro Cardona-Hine Read at Acequia Booksellers | Vox Audio

This reading took place at Acequia Booksellers, 4019 Fourth St. NW, Albuquerque, NM on July 18, 2010. George Kalamaras is the author of Gold Carp jack Fruit Mirrors, Borders My Bent Toward, and several other books. Alvaro Cardona-Hine is the author of many books, including The Curvature of the Earth, done in collaboration with Gene Frumkin, His most recent book, The Recumbent Galaxy, was written in collaboration with George. Edited by Bruce Holsapple. Photo by Mary Ann Cain. Copyright c 2010 George Kalamaras, Alvaro Cardona-Hine, and Vox Audio, PO Box 594 Magdalena NM 87825 Continue reading

Joelle Leandre & India Cooke | Journey | No Business Records

On Journey, violinist India Cooke and bassist Joelle Leandre improvise in that exalted state of grace that every improviser hopes to attain. It’s a state in which everything they play just works. It’s as if they can’t play a bad note or make a sound that doesn’t advance the music. In this state, the music unfolds without prior arrangement and at speeds too fast for conscious control, yet it’s development and intent is always clear. That deep communication between two or more people is exactly what players and listeners alike look for in improvisation. It happens whenever Cooke and Leandre play. —Ed Hazell Continue reading

Radius | Witch of Agnesi | Plutonium Records

One of the exhilarating aspects of improvisation is that it occasionally gives musicians from divergent locations the freedom to get together and create instant compositions that sound as if they come from a working group. This is one of those instances. Recorded in concert at the aptly-named Outpost Performance Space in Albuquerque, New Mexico, the disc combines the talents of local tuba explorer Mark Weaver with that of discriminating drummer Dave Wayne of nearby Santa Fe, plus multi-reedman Alan Lechusza from San Diego, California and young bass master Damon Smith of California’s Bay area.–Ken Waxman, Toronto, June 3, 2002 Continue reading

Patti Littlefield | Mark Weaver | Resonance | Plutonium Records

Resonance certainly stands out from the glut of singer sessions. First off there’s the instrumentation: vocalist Patti Littlefield and tuba player Mark Weaver for the most part, though Weaver mixes in some didgeridoo. Then there’s the unusual choice of tunes ranging from adventurous originals to standards with some Blues and Country mixed in. But what most sets this apart is the quality of the work. Littlefield is a self-assured vocalist who brings the voice of each song to life. She establishes this from the start. She endows “You’re My Thrill” with a dangerous, sensual edge and then takes it further by interpolating a stanza of erotic poetry in the middle. Each song is a dramatic set piece. She gives the familiar tunes, such as “Caravan,” new twists, yet remains true to their emotional cores. Littlefield carries this off without strain. She’s so natural the listeners will be ready to run off with her when they hear “Small Day Tomorrow,” and sympathize with her psychological woes on her original, “Perfect Blues.” The spare accompaniment of Weaver’s horn only heightens the drama. He provides a resonant grounding. And his didgeridoo playing is more than the usual novelty. It adds an exotic touch that complements the New Age lyrics of “Footprints” and conjures an eerie atmosphere that helps revive “House of the Rising Sun” after so many raucous Blues-Rock renditions. The duo ends with a playful and lightly dancing “Jitterbug Waltz” that puts the exclamation point on this noteworthy session. —David Dupont (Cadence Magazine Oct 2009, p.219) Continue reading

AMH Trio | Alan Lechusza | Mark Weaver | Harris Eisenstadt | Live at Field & Frame | Plutonium Records

Releases like “live at the Field & Frame” serve notice that free improvisation and outside jazz (…or whatever you want to call it) are alive and well outside of NYC, Chicago and San Francisco. Tuba-ist Mark Weaver encountered San Diego-based multi-woodwind player Alan Lechusza while playing in Portland Oregon, in groups led by trumpeter Rob Blakeslee and trombonist Michael Vlatkovich. To quote Weaver’s own liner note, he and Lechusza “immediately felt an affinity” for each others’ playing, and planned their own project. — Dave Wayne Continue reading

Todd Moore (1937 – 2010) | A Memorial Reading | Vox Audio

This reading took place in tribute to Todd Moore at The Hardwood Art Center in Albuquerque, NM on May 22, 2010. Todd’s own reading from “The Name Is Dillinger” was produced by Todd Moore, J. A. Deane and Mark Weber for Zerxpress (2001) and is used with permission. Edited by Bruce Holsapple. Cover photo by Pete Jonsson. Copyright 2010 the Estate of Todd Moore, Zerxpress and Vox Audio PO Box S94 Magdalena NM 87825 Continue reading

Donald Levering and Janine Pommy Vega Read at the Anasazi Fields Winery | Vox Audio

This reading was part of the 2010 Duende Reading Series Recorded in Placitas, NM January 10, 2010 (with loud heater fan overhead) Edited by Bruce Holsapple. Cover photo by James M. Gay Jr. Copyright c 2010 Donald Levering, Janine Pommy Vega and Vox Audio P.O. Box 594 Magdalena. NM 87825. Donald’s books include Outcroppings from Navajoland (Navajo Community College 1984), Horsetail (Woodley Memorial 2000) and Whose Body (Sunstone 2007). Janine’s recent books include Mad Dogs of Trieste, New &_Selected Poems (Black Sparrow 2000) and The Green Piano (Black Sparrow 2005). Continue reading